Laura Linney can’t say goodbye to her at all Ozark and the always crafty — and dangerous — matriarch Wendy Byrde, a role for which she earned two Emmy nominations. Maybe that’s why she has yet to see the end of the much-discussed Netflix hit TV series. Or maybe it’s because she’s busy mothering an 8-year-old and preparing to leave the country to embark on the next phase of her illustrious career.
“I’m looking forward to seeing it,” Linney promised, saying three days after the April 29 release of the second half. Ozarkfourth and final season. “It is bittersweet. We’re all so proud, and we all had a great time together, and I think we’re all aware of what a rare situation that is. So not a single second is taken for granted…. The fact that this group will probably never reunite is always really tough. When you’re in it, you never think it’s going to end. And then, when it’s over, it feels so far away.”
At the beginning
Linney first met with Jason Bateman in New York, in 2016, to discuss what could become the most productive on-screen partnership in their respective three decades in the industry. Bateman, then primarily known for his comedies, was looking to transition into prestige drama as the director, producer and star of a dark crime series about a family. money laundering in the Ozarks. Linney, who has been three times nominated for an Academy Award and four times won an Emmy, still can’t pinpoint exactly why she agreed to play Wendy, the wife of Bateman’s character, Marty — she just has a feeling. that she should.
Showrunner Chris Mundy credits Linney for the “big leap of faith,” considering the focus of the first two scripts — written by the co-creators Bill Dubuque and Mark Williams– mainly based on Marty. Mundy admitted, “There isn’t a big roadmap for Wendy’s character. “On the day that Laura signed, I really felt like me, Jason, and the writers, like, ‘That’s a level we’re all going to have to get to.’ And she’s pretty complete in terms of building this person. It is the best cooperation. ”
During a recent conversation with me for The Ringer, Bateman said, “You really are stupid if you don’t give Laura Linney as much work as possible on whatever show she’s on. To just give her some clichés, the traditional wife role simply leaves one arm tied behind her back and doesn’t take advantage of everything she can bring to a project. ”
With pressure to deliver on Linney and the show, Mundy and his team spent the first weeks of Ozark The writer’s room talks about Wendy, and only Wendy. Immediate payback. In the third episode of season 1, “My Dripping Sleep”, written by Ryan Farley, Wendy, struggling with her new surroundings, finds a dead marsupial in her yard. Believing it to be a message from local teenagers who are causing trouble for her children, she drives the carcass over their trailer, spins it, and throws it with all her might onto the roof, warned them not to “make love to my daughter”. Not bad for someone who worked on one of Obama’s early state Senate campaigns.
https://www.vanityfair.com/hollywood/2022/05/laura-linney-ozark-character-building Laura Linney Will Miss “Getting to Explode” As Ozark’s Wendy Byrde