Momma is the perfect embodiment of the idea that going to school is so great. As the eye-catching neon lights of Brighton Pier’s riding fair flickered across Horatio’s wide glass doors, guitarist and vocal duo Etta Friedma and Allegra Weingarten, along with another bassist and drummer – stepped onto the stage with a cold aura that deliberately contrasted the occasion. They’re the last band on stage at this venue tonight, and in the service of their shared, perfect effort, they change up any formal intros and jump right in. catchy riff of ‘Apollo’. You could say they literally let the music speak for itself.
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But instead of relying on customary theatrical chatter, the attraction lies in their subtle tonal differences; ‘Motorbike’ opens with a classic blues riff, before a whirlwind of menacing drumming announces a catchy and raspy ‘Speed 72’. Having recently hit the road with Wet Leg across the US, Momma’s pace of growth is reflected in the unimaginably long queues outside the venue, with many punters crossing the pier into the night. late at night, through strong winds, to experience 30 minutes of this sharp and powerful rock band.
It’s a show that deliberately contrasts with The Great Escape’s dense industry attendance: Momma locks their guitars into hand-to-hand combat and teases a moshpit on stage in lieu of the loud, loud crowd. Their ruthless, merciless contagion bar usually commands. In moments like these, the couple’s lack of ego as the performers also show through: they just want to explode, proud and careless.
Both Friedma and Weingarten’s vocals tend to sound wider, higher, and louder as the movie progresses, delivering raucous squeals as needed in ‘Lucky’, and then turning into laughter. They quietly embraced the spirit of this new music-focused festival by broadcasting what’s next, enjoying the chance to showcase this song and other unreleased material from their upcoming album, ‘Household name’ (July 1). Friedma was even encouraging enough to draw the crowd into singing along to the spiraling guitar lines of recent single ‘Medicine’ as a backing band, but seemed completely subdued as the song quickly disappeared from the sound. cheering bar.
Towards the end of their performance with ‘Rockstar’, Friedma and Weingarten, with guitars clutching their hearts, pirouette jubilantly and hilariously around the stage, like two ballets falling off the top of the stage. a wind music box, lost in their own world. It was the sound – and the sight – of two incredibly talented musicians finally letting loose, their inherent confidence fully realized.
Momma’s live post at The Great Escape: Brooklyn Upstarts was the first real deal to appear on NME.
https://www.nme.com/reviews/live/momma-band-live-review-at-the-great-escape-radar-3225310?utm_source=rss&utm_medium=rss&utm_campaign=momma-band-live-review-at-the-great-escape-radar Momma live at The Great Escape: Brooklyn indie upstarts are the real deal