Attachment: Micro four thirds
ISO range: 200-25,600
Viewfinder: 2.36 million points
Video: C4K 24p / 4K 30p / 1080p 120p
Size: 5.69 x 5.78 x 2.97 inches
Memory Stick: 2x SD
Eyebrows rose when Olympus (now OM Digital Solutions) launched the Olympus OM-D E-M1X. Combining a smaller Micro Four Thirds sensor with a larger, professional DSLR-style body, the E-M1X combines the best of both worlds.
Possibly as small as a full-frame mirrorless camera, the image circle needed to cover the larger sensors means the lenses are practically as large and bulky as they once were – not ideal for carrying around in a kit. hunting gear. However, with a sensor half the size, the Micro Four Thirds format has an ecosystem of lenses that can be half the size and weight (or indeed the smallest).
That halved sensor size translates to a 2x “crop factor” – meaning the Olympus OM-D E-M1X effectively doubles the focal length of the lens. So the 300mm lens really gives you a 600mm-equivalent reach – ideal for filling the frame at a distance. Furthermore, optics for Olympus cameras are considerably more affordable.
So what’s on offer here is one of the best wildlife cameras: a pro-style body built to balance longer lenses, with a smaller premium glass ecosystem. , lighter, more affordable.
And while its 20.4MP sensor seems a bit underexposed in terms of resolution, it can take photos of up to 80MP thanks to its High Resolution Shot mode, with a continuous shooting rate of up to 60 fps. seconds, incredible stabilization of up to 7.5 stops, and a Pro Capture Mode that takes pictures before you even click the shutter button!
Olympus OM-D E-M1X Review: Design
- DSLR Pro-style body
- Touch screen perfectly matches
- Industry leading weather sealing
With Micro Four Thirds cameras’ greatest strength is their reduced size, which makes them less suitable for professional photography for the most part. The E-M1X solves this problem by offering a larger, professional DSLR-style body with a built-in vertical grip – also with two high-capacity batteries, for long-lasting photography.
Accordingly, you can expect two shutter buttons, a joystick, and a front and rear exposure dial to suit portraits and landscapes. The camera fits our hands and handles like a dream for stills and video alike, with the perfect purchase when mounting long wildlife lenses and an ideal resistance shutter button .
As a premium body, the E-M1X is weather-sealed to be dustproof, splashproof, and freezeproof, meaning you can shoot anywhere. Olympus’ ultrasonic wave filter (oscillates at 30,000 per second) repels dust, so you don’t have to worry about changing lenses in extreme conditions – something that has served us well here dusty african desert. And with a shutter rated at 400,000 execution, this is truly a body built to handle serious photographic activities.
Unlike some other professional and wildlife cameras, Olympus also boasts a fully-matching touchscreen. Not only is this ideal for recording videos, vlogs, and other content, it’s also ideal for high- or low-angle photography when you can’t look into the viewfinder.
Olympus OM-D E-M1X Review: Functionality
- 60 fps continuous shooting
- Professional shooting mode
- Direct ND filter
With two processors, the E-M1X – until recently Olympus’ flagship camera – boasts a host of computational photography features not found on other cameras. For example, the Live ND filter; they provide a software-powered alternative to using the physical neutral density filters on your lenses, and the effect actually works great.
Dual processors power the camera with advanced subject-detection AF algorithms. They specifically recognize and track planes, cars, birds and trains, but the AF systems are generally robust and reliable whether shooting vehicles, people or animals.
All that power under the hood enables some other seriously impressive features, our favorite being Olympus’ excellent Pro Photo mode. When you half-press the shutter, the camera begins to buffer the image; once you extract it completely, it will take 15 pictures prior to you press the shutter button along with 20 images later.
This means you never miss an image if it’s too late by a split second, which is often the case with other cameras – and it allows us to capture incredible images of your behavior. animals that otherwise we would have missed.
Best of all, the E-M1X has a fast continuous shooting rate of up to 60fps locked, or 18fps with full AF and AE. All of this also happens with the silent electronic shutter, so we never scared off any twitching animals (which is always the case with DSLRs, thanks to the knock-away mirror mechanism).
Olympus OM-D E-M1X Review: Performance
- Still images 50 or 80MP
- Stable smooth smooth
- Crisp 4K video
Lens kit: Olympus M.Zuiko 12-40mm f/2.8 Pro
Best wide lens: Olympus M.Zuiko 7-14mm f/2.8 Pro
Best zoom lenses: Olympus M.Zuiko 40-150mm f/2.8 Pro
Backup battery type: Olympus BLH-1
Memory Stick: Lexar Professional Class 10 UHS-II 2000X
Some might scoff that the camera has only a 20.4MP sensor, which is quite conservative compared to many of its rivals. Still, this is more than enough resolution for most printing purposes (and we’ve captured a lot of covers and two-page magazine covers with this sensor).
However, if you’re not happy with that pixel count, the Olympus OM-D E-M1X has a few tricks up its sleeve. Thanks to the in-body image stabilization system (IBIS, which uses magnetic fields to shift the sensor to compensate for camera shake), the body features a High-Resolution Shooting mode.
This shifts the sensor up to 16 times to produce in-camera images with 50MP resolution when handheld or 80MP when mounted on a tripod. Both methods take a few seconds to expose, so they’re not suitable for moving subjects – and handheld mode can sometimes be a bit squishy and sloppy, depending on how steady the grip is. yours. The resulting raw files, however, are pixel-packed and dense in detail, giving you mid-format resolution at a fraction of what you need it to be.
All the photos in this review were taken at 20.4MP native resolution, so we’ll leave it up to you to decide if there’s enough detail in them – but we think yes, as well. magazines printed them. The only area where the sensor starts to struggle is in low light.
The maximum ISO 25600 sensitivity is relatively low, and the smaller sensor size means it has less surface area to absorb light – so if you’re shooting in lower light, increasing the ISO will help. produces a noticeable amount of grain and noise. . (Of course, Olympus’ f/1.2 lens helps make up for this.)
Speaking of IBIS, it offers an incredible 7.5 stops of shake compensation (depending on your lens, but 5 stops of stabilization applies to every lens). What does it mean? Well, we used an Olympus 300mm lens with a 2x teleconverter for a 1200mm equivalent – and we shot handheld 4K footage where there was really no camera shake.
In terms of video, the E-M1X offers C4K video at 24p and 4K up to 30p, with 1080p (Full HD) up to 120 fps for true slow motion capture. And while it’s not a dedicated video camera, it does provide a log profile that allows for good classification and flexibility in post-processing – and we’re very pleased with the footage that we see. we were able to shoot.
Should you buy the Olympus OM-D E-M1X?
The E-M1X seems to have it all. It’s an absolute speed demon for continuous shooting, very sticky AF with a special algorithm that detects birds, Pro mode means we never really missed a shot and it offers up to 80MP stills if you really need them.
Best of all, the 2x crop factor effectively doubles your lens’ length – and the entire system is affordable, including the lenses, so you can get the kind of performance and exposure you need. Closer will get you a small buck on full frame systems.
The only limitations are related to the physical sensor size. That 2x crop factor is a boon in that it effectively doubles the focal length, but it’s a drawback in that it halves the effective depth of field.
In a nutshell, a 100mm f/1.8 lens gives you the same depth of field as a 50mm f/1.8 lens (or, in effect, shooting at a 100mm f/1.8 produces a 100mm depth of field at f/3.6). So you won’t achieve subject separation or background blur like you would on a full frame or even APS-C camera.
Likewise, the reduced sensor footprint means that it’s not the most powerful camera when shooting in low light – especially if, when shooting fast action like wildlife or sports, you will using a fast shutter speed, it is possible with the teleconverter to also decrease the aperture.
In practice, we rarely found this to be an issue, even when shooting at dusk, but it’s definitely something to consider if your main shooting situation doesn’t have a lot of light.
If this product is not for you
If you like the idea of the strengths offered by Micro Four Thirds, but want a smaller and cheaper camera, we recommend Olympus OM-D E-M1 Mark II. It’s essentially a “junior” version of the smaller E-M1X, with a single processor, that doesn’t possess the same computing power – but otherwise key specs, from the sensor 20.4MP to 60fps and Pro Capture, are all identical.
For APS-C systems, we can point to Canon EOS 90D – a lightning-fast DSLR with a 32.5MP sensor, 10fps continuous shooting, 4K video with no crop, and a 1.6x crop factor (e.g. turning a 300mm lens into an effective 480mm lens ).
And if you’re viewing the entire frame, Canon EOS R6 offers an equivalent 20.1MP sensor, 20fps continuous shooting, up to 8-stop image stabilization, 4K video up to 60p, plus best-in-class animal autofocus tracking wild animals.
https://www.livescience.com/olympus-om-d-e-m1x-review Olympus OM-D E-M1X review | Live Science