Takeoff, one-third of Migos, changed the sound of hip-hop

Hip-hop wouldn’t sound like this without Migos.

The Atlanta rap trio — Offset, Quavo and Takeoff — dominated the 2010s as they built a catalog of booming trap hits like “Handsome and Wealthy” and “Hannah Montana” before reuniting with 2016’s “Bad and Boujee.” secured a place in the mainstream. which shot to #1 on the Billboard Hot 100. Dubbed the “Migos Flow,” their fast-paced triplet delivery turned up even when they didn’t, becoming the factory standard pop on Ariana Grande’s “7 Rings” for an entire generation of rappers.

But earlier this year, the group split; Offset (Kiari Kendrell Cephus) left the company over what his cousin Quavo (Quavious Keyate Marshall) said was about “loyalty.” In response, Quavo and Takeoff (Kirshnik Khari Ball) rebranded as Unc and Phew (short for uncle and nephew, their family relationship) and released the album Only Built for Infinity Links in October. The LP built on the pair’s natural chemistry, with Takeoff’s raspy brat cutting through Quavo’s smooth melodies like an X-Acto knife.

However, this new start was short-lived. Takeoff was fatally shot outside a Houston bowling alley early Tuesday morning. he was 28

Two other people were injured and taken to hospitals in private vehicles, police said on Tuesday. No arrests have been announced.

Migos was one of hip-hop’s most dominant groups in an era when solo acts proliferated. Takeoff’s value to the group is best demonstrated on a song like 2014’s “Fight Night,” where he opens the song with intimidating call-and-response vocals before breaking through his verse.

Unfortunately, Takeoff’s most viral moment wasn’t his presence, but his absence on Bad and Boujee. Instead of Takeoff, Lil Uzi Vert was featured on the song alongside Quavo and Offset, who confronted Takeoff about internet memes in an uncomfortably confrontational interview at the 2017 BET Awards.

But elsewhere on Migos’ groundbreaking Culture, Takeoff’s impact is undeniable – whether it’s the stuttering stop-flow he employs on “T-Shirt” or his pounding chorus over the church organs of “Call Casting.” The group received a Grammy nomination for the album, which peaked at #1 on the Billboard 200.

The following year, he burst into the limelight with his first and only solo album, The Last Rocket. The atmospheric project allowed him greater autonomy over his sound, the delicate bells of “Casper” were a fitting sound for a journey through space. A year after it was left out, it became the main event, debuting at No. 4 on the Billboard 200 while earning two songs on the Hot 100.

Takeoff was born on June 18, 1994 in Lawrenceville, Georgia. In 2008, he rapped alongside his uncle and cousin, and the trio released their first mixtape as Migos in 2011, titled “Juug Season.”

Her run helped propel Atlanta to the forefront of mainstream hip-hop, perfectly timed with the emergence of new stars like Future, Young Thug and 2 Chainz. Migos’ first breakthrough came in 2013 with “Versace,” where the group built an ode to the Italian luxury brand based on the soon-to-be-ubiquitous triplet flow.

Migos weren’t the first to use the triplet flow – it was used by ’90s-era predecessors like Public Enemy and many others in between. But when Drake took over the flow to remix Migos’ “Versace” in 2015, it took on a new life and became a staple of modern rap that has lasted through the decade.

Internally, Takeoff’s abilities got their due – Quavo said In a 2018 interview with Apple Music that Takeoff was “the best of us all,” a statement met humility from Takeoff, who quietly asked Quavo to recall it. But Takeoff was aware his public persona wasn’t quite up to par with his group members (Offset is married to pop-rap star Cardi B).

Speaking to Nore on the Drink Champs podcast a few weeks after the release of his album with Quavo, Takeoff admitted he was forced to bring a different energy to the project and capitalize on his expanded role alongside his uncle.

“Enough is enough,” he said. “I’m laid back and chilled but it’s time to bang it. It’s time to give me my flowers. I don’t want them to lie down when I’m not here, I want them to be on their way immediately.”

https://www.latimes.com/entertainment-arts/music/story/2022-11-01/migos-takeoff-dead-28-quavo-offset-hip-hop-rap Takeoff, one-third of Migos, changed the sound of hip-hop

Sarah Ridley

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