The Haunted History of Poltergeist

Accidents, mistakes and unfortunate turns are common on any Hollywood set, but when cast and crew members die regularly and bizarre circumstances cause chilling or inexplicable coincidences in three different films, the question arises: is this franchise cursed? That was the case with the original poltergeist trilogy, a series of films known for the chilling and macabre circumstances that surrounded them, including multiple deaths, mysterious malfunctions, and the questionable use of human remains. But were these films really haunted, or were the overworked creatives involved simply influenced by the films’ spooky themes and points of view? This article will detail the unusual occurrences and allow readers to draw their own conclusions. But be forewarned: this play will deal with real-world abuse, violence against women, and the tragic deaths of multiple people.


poltergeist (1982): The Haunting and the Death of Dominique Dunne

The original from 1982 poltergeist Movie is undoubtedly the best in the series. It’s a clever mix of Steven Spielberg Storytelling and spooky special effects that proves to be an effective horror film even by today’s standards. But it might surprise the reader to learn that some of the film’s supernatural content resembles real-world events. To give the film a more realistic portrayal of haunted houses, Spielberg told the screenwriters: Michael Gris and Markus Victorto speak to working psychics and spirit hunters for inspiration, a practice that continued in the film’s sequels and which may explain the prominent role of parapsychologists and spirit guides in the series.

Zelda Rubinstein, who played the series’ iconic spirit medium Tangina, reported that even if she didn’t fit the role, she was no stranger to the supernatural. One story she told was about her dog visiting her in a dream while she was away from home. According to Rubenstein, the dog just wanted to say goodbye. When Zelda woke up, she received a call from home telling her that her dog had died. That sort of weird foreboding became a recurring theme throughout the film trilogy, and Zelda wasn’t the only member of the cast to experience something otherworldly.

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JoBeth Williams, who played the Freeling family matriarch Diane, reported that she once stayed the night in a house where the bed seemed to shake, only to be told later by the homeowners that it was caused by ghosts. When filming Poltergeist, Williams often returned home to find her paintings and tapestries crooked. She would fix them and go to the set, but when she returned home they would all be flipped again. This felt particularly like the action of one of the trickster poltergeists in the film, and Williams worried that something or someone was trying to warn her not to do the film. Similar, James Khan, who wrote the film’s promotional novel, experienced something unusual while working diligently in Steven Spielberg’s office. When Kahn wrote about lightning and thunder, a clap of thunder and lightning happened right outside the window. The lights flickered and the back of the air conditioner broke off, hitting Kahn from behind. After a few minutes, the lights flickered again and all the video games in the office started playing. This has also been reported Dominik DunneShe, who played older daughter Dana Freeling, once witnessed a bookshelf topple over, throwing books across the room. This hardly mattered compared to the tragedy Dunne later found.

thin friend, John Sweeney was quick to anger and violent, reportedly not the sort of person who wanted to upset friends or acquaintances. One account suggests that after the success of poltergeist, a fan complimented Dunne on the street, which infuriated Sweeney and led to Sweeney attacking the fan. Sweeney’s anger and violent behavior escalated until Sweeney began physically abusing Dunne. Dunne rightly chose to dump Sweeney, but Sweeney became obsessed with her and refused to let her go so easily. As a restaurant chef, Sweeney thought he could win Dunne back with a gift, a chocolate mask carved in Dunne’s likeness. Dunne rejected him and rejected him again, leading to an argument outside Dunne’s house.

Dunne had rehearsed lines with the actor David Packers When Sweeney arrived, fearing a violent confrontation, Packer chose to drown out the argument by yelling loudly poltergeist Soundtrack. Hearing Dunne screaming as if she had been attacked, he called a friend to warn him that if he died it was Sweeney who committed the crime. Packer then called the police, who fined him for failing to intervene. While Packer was inside, Sweeney grabbed Dunne by the neck, dragged her to the side of the house, and choked her until she was unconscious. When police finally arrived, Sweeney raised his hands and then led them to Dunne’s body, which he placed beside it. Although Dunne was technically alive, the hospital pronounced her legally dead a few days later.

Poltergeist II: The curse grows

The brutal and senseless murder of Dominique Dunne fueled the rumours poltergeist was cursed. Those rumors couldn’t stop the film’s writers from signing on for a sequel, though production hasn’t been smooth sailing. Things slowed to a standstill when a buggy creature effect called The Vomit Monster kept malfunctioning, causing the actor Craig T Nelson pretending to create some disgusting practical effect for over 10 hours. As a director Brian Gibson When he finally decided he’d got the record, the cast and crew went home for the day. The next morning, they found that something had damaged the film and rendered it unusable, meaning they had to go through the whole hellish ordeal all over again. That wasn’t the worst problem on set; The film’s finale took place in a cave, and the constructed set was small and uncomfortable, resulting in actors scratching their heads and lighting equipment tipping over. When Nelson complained about the cave’s eerie and unsettling atmosphere, actors and experienced shaman played Will Samson examined the set for negative energy and decided it was coming from the prop skeletons. It was at this point that the cast learned that some “prop” skeletons were actually human remains, which had been used to add to the film’s realism. Sampson asked if he could exorcise the set, and after receiving permission, Nelson reported that the production issues were immediately halted.

Death hung over production in a different way. Julius Beck, who played the film’s antagonist, Kane, died of colon cancer during filming and was aware of it. Its frightening performance seemed to conjure up feelings of anxiety that cast and crew alike found deeply unsettling. Shortly after production was completed, Beck died. In another tragic circumstance, Will Sampson later died of complications from a heart and lung transplant. Craig T. Nelson visited Sampson’s grave and recalled an eerie moment when the oppressive roar of the cicadas in the trees suddenly stopped as Nelson spoke loudly to his late friend. young star Heather O’Rourkewho played Carol Anne Freeling from They’re He-ee-re also contracted a mysterious illness that would eventually lead to her own death.

poltergeist III: The end of the curse?

The third movie in the poltergeist franchise was a low point for both the series and many of those involved. Heather’s mysterious illness was diagnosed as Crohn’s disease, but whatever discomfort she felt didn’t stop her from reprising her role as Carol Anne for a third time. Zelda Rubinstein also returned, but none of the other cast members were interested. Malfunctions and special effects accidents also abounded on this set, with an “underwater catapult” device going awry and shredding a stuntman’s shins and a bit of clumsiness leading to the director Gary Sherman breaks his leg. The film was shot and produced in Chicago’s John Hancock Tower, which was no stranger to death as over a hundred construction workers had died during its construction. Another fatality occurred when the civil engineer assigned to help the film’s production staff was found dead in his chair mid-shift, though no foul play was suggested.

Rubinstein received another psychic premonition similar to the one she previously had about her dog, but this time the sudden shock she received on set warned her of the fact that her mother had died. A strange, anomalous photo by Rubinstein shows the woman enveloped in bright white light, leading the director to believe the photo may have been taken at the precise time of her mother’s death.

Another special effect that went haywire meant what was supposed to be a controlled explosion turned into a raging, uncontrollable fire that left firefighters on set running for their lives and a maintenance worker trapped inside the building. One particularly brave stuntman went back to save the worker and also managed to save the cameras and film, for which the director dubbed him “a hero.” The real tragedy happened when the film went on hiatus for several months. As she was getting ready for school, Heather O’Rourke noticed that she had trouble swallowing. Her mother noticed that Heather’s hands were cold. They took Heather to the hospital, but due to a congenital abnormality in her intestines, Heather died of septic shock. In another strange moment of foreboding, Heather’s mother recalled how her daughter had appeared before her while her daughter was still in the other room with the doctors. She reportedly told her mother, “I’m not coming back.”

curse or coincidence?

Whether one believes in otherworldly spirits, occult events, or demonic curses, it is clear that the poltergeist Movies have been plagued by tragedy. The heartbreaking deaths of its actors, the dangerous and frustrating technical problems, and the self-inflicted mistake of using real skeletons instead of replicas all culminate in a series of deeply traumatic experiences. Although horror stories like this can contain a certain amount of excitement, it would be a far better world if such things were relegated to movies and the pages of fiction. The Haunted History of Poltergeist

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